Going underground…

~ Rhiannon ~ 1 Comment

Remember I mentioned that time I went fabric shopping with something of a hangover? Well floral fabric wasn’t the only thing my poor tired brain latched on to. It also found this:

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What’s this? Why only the most inaccurate tube map you’ll ever see. Don’t believe me? Take a closer look at it and then compare it to this which is the actual tube map.

So wrong.

And yet…. so right. I knew I had to have it. So I did, and this was the result.

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What is it?

A princess seamed bodice with a sweetheart neckline and gathered skirt.

Is it blue?

One of the lines is blue…

What’s the fabric and where’s it from?

Underground print cotton polycotton from a stall in the rag market. I’ve seen it elsewhere online.

What’s the pattern?

The Kim dress by By Hand London

What was good about making this?

I’d wanted to toile the Kim dress and this seemed like a good fabric to do it with. The instructions were really clear and it came together pretty quickly. I liked the construction of the bodice too.

I wore it for the first (and only, see below…) time on a London work day and had the miracle of not one but two complete strangers engaging me in nice conversations. Which made my day better too.

What was bad about making this?

The straps were way too long, but I didn’t find this out until I’d finished it. To get the neckline to sit in the right place (rather than half way down my bra…) I had to take at least 2 inches out of each side (maybe more). Which then meant that the waistline sits a bit too high. So although it fits it’s not as flattering as it could be. So it doesn’t get worn as much as it should.

I might get round to slashing it open and putting in a waist panel in to lengthen the bodice back out, or I might remake it using another £6 worth of fabric, or I might slash it and turn it into a skirt instead, but until then, every time I go to put it on I look at myself in the mirror and take it off again.

Would you make it again?

Yes as this was always meant to be a toile, although next time I’ll lose some length on the straps and add some length on the bodice to balance it out

x

Strawberry shortcake

~ Rhiannon ~ 4 Comments

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Way back when I went to Walthamstow for the first time, I picked up some fabric and, despite the cold, rainy October day, I just knew that it was destined to be a summer dress.

Then, at Christmas time (ish), the pattern with Simply Sewing magazine was the Charlie dress by By Hand London and I was smitten.

Rush forwards to May and the time for making summer dresses felt very near at hand, so armed with the PDF pieces I hit the stash and sewed it up in two shakes of a rabbit’s tail.

I love this dress and have worn it loads, including two summer breaks (ok, one summer break to Lille and Glastonbury Festival where it was muddy. Really muddy. And then it rained and got muddier).

And as for the strawberries? Well, why wouldn’t you match your breakfast to your dress when you can?!

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What is it?

A bandeau-style princess seamed dress with shoulder straps, fold over neckline and self drafted gathered skirt.

Is it blue?

No

What’s the fabric and where’s it from?

Teeny tiny sort of see through strawberries that I got from a shop in Walthamstow

What’s the pattern?

The bodice is the Charlie dress by By Hand London. I used the version that came with Simply Sewing magazine but they’ve since released a version that anyone can buy (and which the link points to).

What was good about making this?

I got to do a couple of firsts with this, not least first time making a top with princess seams. I really like the fit the bodice has as a result of the princess seams, it feels really feminine and flattering and I’ll look out for more patterns with it.

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(can we just take a moment to appreciate Kat’s cat leggings?)

What was bad about making this?

I had a bit of a scary moment where I thought I wouldn’t be able to do it up, but that turned out to just be one strawberry too many!

Would you make it again?

I would. I’d shorten the shoulder straps by about an inch as they fall down when I’m not paying attention, but that’s about it. I’d like to try it with a circle skirt, which is what the original pattern came with. Other than that though, it’s a winner for me, and might just be the perfect summer dress (maybe).
x

The £1.50 Moneta

~ Rhiannon ~ Leave a comment

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There are a couple of different things you can take from my expression here; the fact that I managed to get a(nother) Moneta out of a metre of fabric, amazement at how swooshy it is, delight with the mix of colours. I think the main thing though is the appreciation that despite having what can only be described as a horrendous hangover (may have had a sherbet too many…) I managed to not only navigate the rag market but I scored this fab jersey for the princely sum of £1.50.

What is it?

A(nother) Moneta with a Peter Pan collar and slightly longer than usual skirt.

Is it blue?

Some of the flowers are. But some of them are copper coloured. And some of it is white. Let’s go with multicoloured?

What’s the fabric and where’s it from?

A ponte roma that I got from a stall in the outside section of the rag market. I nearly fell over when they told me the price.

What’s the pattern?

That old favourite I know so well

What was good about making this?

Pattern placement for the collar was really satisfying, and there’s something very smugness inducing about getting a dress out of a metre of fabric.

What was bad about making this?

I don’t know why but for some reason my sewing machine and overlocker weren’t enamoured with this fabric and both had weird puckering. It wasn’t too much of a hardship but it was a bit annoying.

Would you make it again?

Another awesome Astoria

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There’s something incredibly snuggly about sweatshirt material. I think it’s probably something to do with the way that it looks like it’s been constructed from hundreds of teddy bears to give it the ultimate comf factor. When you get that comfiness and put it into something that can be worn for work as a cover up for smart dresses without looking slobby, well then you’re on to a winner!

I’ve had this for about two months now [let’s not look at my making to blogging time lag in too much detail….] and I can confirm that it is fab and gets worn with pretty much everything. In fact, I’m wearing it right now as I type this (and I have the picture to prove it!).

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What is it?

A cropped sweater

Is it blue?

You betcha!

What’s the fabric and where’s it from?

A super comfy sweatshirt jersey from Guthrie & Ghani. I had my eye on it for ages and then found a metre in the remnants bin; just enough for an Astoria. It’s like it was meant to be!

What’s the pattern?

The Seamwork Astoria

What was good about making this?

It continues to be a super swift make, which is a definite bonus

What was bad about making this?

I’m not entirely sure I had the fabric rotated the right way… Which isn’t exactly a bad thing per se, it’s more just that I found myself getting confused!

Would you make it again?

It does make a great throw over for dresses due to the crop of the sweater… I think if I could find a comfy grey I probably would (I truly love a grey jumper) but otherwise as much as I love it I might be exhausting the number of Astoria’s I can get away with!

x

Tiny elephants top

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One of the very first patterns that I found when I started sewing was the Colette Sorbetto. It’s a free to download top and I thought “well that’ll come in handy”.

Two years later, I was looking for something quick and easy to sew up for a weekend during Me Made May. Turns out, the Sorbetto was very handy!

What is it?

A simple sleeveless top with exposed bias binding

Is it blue?

Yup

What’s the fabric and where’s it from?

The fabric is the remnants of the super lovely elephant fabric that the boy bought me back when I started sewing and some bias binding I had that by complete fluke was exactly the right shade of blue.

What’s the pattern?

The Sorbetto, but hacked to remove the central pleat. I found a tutorial for this on the Colette blog which was really straightforward

What was good about making this?

It was so quick and easy to sew and a great way to use up a bit of fabric that I really didn’t want to get rid of.

What was bad about making this?

Ummm…… honestly? Pretty much nothing.

Would you make it again?

Yup, I’ve got a couple of leftovers that would make great tops and, as if they knew, Colette have just run a week of different hacks on the pattern. They’ve got a knit one, a dress one (although I probably will keep the neckline on the original) and a modernised one. I’m going to end up with one for every day of the week at this rate!

x

Space dress!

~ Rhiannon ~ 2 Comments

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When I made the floral Anna dress, it was a toile for some rather special fabric; this fabric. Space fabric.

Everyone loves space, because it’s amazing, and this dress makes it even more amazing.

What is it?

A fricking SPACE DRESS

Is it blue?

Not just any blue, space blue

What’s the fabric and where is it from?

The fabric is a lightweight cotton that I got from Fabworks Mill (although it’s sadly now out of stock). I was pretty excited to get the fabric, but that got even more exciting when I discovered from Elle that the fabric was originally from Paul Smith! And then I googled how much a Paul Smith shirt cost, which was pretty terrifying. Fabric find of the year!

What’s the pattern?

The By Hand London Anna dress in the midi length version

What was good about making this?

Getting to sew with space fabric. Also, making something for a special occasion always makes it seem more exciting.

What was bad about making this?

As before, the sheer volume of seams that need overlocking with a six panel skirt is just boring.

Would you make it again?

Honestly? Probably not. I might consider making the maxi length dress, but after a couple of wears of this and the other Anna dress, I’m not sure if I like the bodice fit enough to make it again. I do still like it lots though!

x

Aztec geometric print dress

~ Rhiannon ~ 2 Comments

IMG_5852It’s no secret that I have a love affair with a particular jersey dress pattern and this is the next in a long and continuing line of dress.

What is it?

A sleeveless jersey shift dress with a gathered skirt

Is it blue?

Yes, in a teal / turquoise kind of way

What’s the fabric and where is it from?

The fabric is a fabulous ponte that originally came from Girl Charlee fabrics, although I was gifted it by the lovely Caroline at SewBrum

What’s the pattern?

Colette’s Moneta dress, this time the sleeveless version. I also altered the skirt as the pattern pieces wouldn’t fit on the fabric I had.

What was good about making this?

I got the dress out of a metre of fabric! A bit of clever folding and the aforementioned skirt adaption fixed meant I could stretch fabric as I’d never stretched it before (but not literally!). It also has a really bold print which meant pattern matching was a piece of cake.

What was bad about making this?

I don’t really like the gathering method used in the pattern instructions, so thought I’d try something different. Which didn’t then work. So I had to use the usually method after all. On the plus side thought, following a conversation with Elle at Laura Loves Pugs I discovered that if you make more markings on the elastic than required it’s about 60 times easier and makes for far neater gathers. Hurrah!

Would you make it again?

Just try and stop me!

x

Floral 1940s style Anna dress

~ Rhiannon ~ 1 Comment

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Sometimes you hear a lot about a pattern so you decide to give it a go. And then part way through sewing, when it looks like this, someone really helpful (or not….) says it looks like you’re making a costume out of Dinnerladies.

Great.

BUT THEN you finish it off, and you have something delightful and wonderful and you realise that was all wrong

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What is it?

A boat neck, kimono sleeve, mid-length dress

Is it blue?

The bias binding is!

What’s the fabric and where is it from?

The fabric is a soft cotton (lawn maybe?) that I got as part of the fabric swap at SewBrum

What’s the pattern?

By Hand London’s Anna dress in the midi length. There’s a lot of love for this pattern out there, so I thought I’d give it a go.

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What was good about making this?

It was really quick to come together and also had a couple of firsts for me; first time I’ve made a seven panel (seven gore?) skirt and the first time I’ve used bias binding for a decorative finish. The finish of the skirt to the bodice is really neat, with the panels all lining up against bodice features in a very aesthetically pleasing way.

What was bad about making this?

Oh my days. With seven panels joined together, that’s 12 raw seams. That’s an awful lot of overlocking. I got into a bit of a rhythm with it, but my word I was pleased when I got to the last one.

Would you make it again?

Yes; this was my wearable toile for a special dress I have in mind to wear to celebrate the boy’s 30th birthday.

x

Chambray shirt dress

~ Rhiannon ~ 3 Comments

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Remember the quest to find the shirt dress of shirt dresses? Well it continues with a new contender. This dress has already had a lot of wear since it was finished at the end of April, and has become a firm wardrobe favourite for being both comfy and casual and fancy and formal, meaning it’s great for work, lazy Sundays and impromptu nights out. Winner indeed.

What is it?

A shirt dress with a pleated skirt

Is it blue?

Yes!

What’s the fabric and where is it from?

The fabric is chambray and it came from a shop on the Goldhawk road

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What’s the pattern?

The infamous McCalls 6696 in view B

What was good about making this?

For the most part the instructions were really clear and straightforward; possibly more so than I expected from one of the big 4. Additionally, by using the best poppers ever rather than buttons, I managed to avoid hours of buttonhole misery and got it from “bit of fabric” to “ready to wear” in about fifteen minutes (not a joke, I was determined I wanted to wear it out to dinner that evening).

What was bad about making this?

There are a lot of pieces and a lot of steps, so there were times when I got a bid bored of this. I also found that the back has a bit more fabric than I’d like. Also, it needs 140cm fabric to fit the skirt pieces which means that it took a while for me to find a fabric that I both liked and wanted to make this dress in.

Would you make it again?

I think so, although I’d sort out the back bodice. It’s had a lot of compliments already and is so easy to throw on it would be silly not to have a second (or third, or fourth…). I think I’ll probably go for something patterned next time though, just because

x

Heart print dress

~ Rhiannon ~ Leave a comment

IMG_5980Remember that I mentioned when I made the floral dress that I had already made another one? Well here it is!

What is it?

A sleeveless shift dress with a pleated skirt.

Is it blue?

No

What’s the fabric and where is it from?

The fabric is a lightweight cotton that I bought from a shop in Walthamstow

What’s the pattern?

Gather Patterns Mortmain dress in the sleeveless variation

What was good about making this?

Much like when I made the floral version, this dress is so straightforward and comes together so swiftly. The detailing on the exposed zip is great and the fit is pretty much perfect for me.

What was bad about making this?

I really don’t like the facing. It was a bit of a pain on the floral one, but this time it’s even worse. In between making this and writing it up I’ve been experimenting with both bias binding for finishing and with teeny rolled hems on necklines, so would consider either of those two in the future.

Would you make it again?

Yes. I’ve got a gorgeous piece of Nani Iro fabric I bought in Japan last year that I’ve been saving and this dress is just the right amount of material combined with a pretty perfect fit. Added to that having a wedding in a few months’ time, it would be a shame not to make it again. I’ll definitely change the facing though as I couldn’t bear to have ugly facings with a fabric this beautiful!

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