dress

Spot the new Moneta….

~ Rhiannon ~ Leave a comment

img_0195 How can you not jump for joy in a former Italian abbey?

It’s no secret that I love Moneta, and it’s quickly become a regular sew, especially since I discovered that I can get a dress out of just one metre of fabric with a bit of wiggling. So it was no surprise that when I spotted some polka dot fabric on a trip to the rag market hosted by Rach that I quickly snapped some up ready for a light and breezy summer dress.

What is it?

A sleeveless jersey dress with a fitted bodice and gathered skirt

Is it blue?

Yup yup yup!

What’s the fabric and where’s it from?

A thin lightweight jersey from an outdoor stall at the rag market; it was a bargain too, costing only £1.50!

What’s the pattern?

The Colette Moneta (again!)

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Seriously, the view from this place was amazing!

What was good about making this?

As ever just the speed at which I could get it sewn up was a delight

What was bad about making this?

The fabric was printed ever so slightly squiffy which meant cutting out pieces so that they would line up was a bit of a nightmare. Luckily it’s nothing that couldn’t be sorted with a quick application of some scissors!

Would you make it again?

I wouldn’t say never, although now that we’re moving into autumn I might look to make a few more sleeved versions of the dress. That said, I have a freaking huge list of to-be-mades at the moment so unless it’s a truly truly fabulous print I think it’ll be a while before I make another.

x

Blue flowers? Must be acidic soil…

~ Rhiannon ~ 1 Comment

01-IMG_9759Sometimes you just get a bee in your bonnet, or at least you do if you’re as stubborn as me… 

In this case I decided that I wanted to get my wearable toile of the Colette Crepe ready in time to wear on a weekend trip to my parents. Even though I hadn’t cut out all of the pieces on the Friday evening and didn’t finish work and dinner until gone 8…

Yet amazingly, remarkably, I actually managed to do it (and ok, staying up until 1am probably helped).

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What is it?

A wrap dress with a rounded neckline and back wrap

Is it blue?

The flowers are!

What’s the fabric and where’s it from?

The fabric is a cheapy viscose I picked up in Barry’s fabrics purposely for making a toile with.

What’s the pattern?

The Colette Crepe pattern.

08-IMG_9774(Not the best photo but my usual photographer was a bit …delicate)

What was good about making this?

The speed! I admit I cute a couple of corners, but given this was a toile I didn’t mind too much, and the result was a four hour sew.

What was bad about making this?

The viscose was pretty horrendous to work with. At the time of sewing I’d hoped it was because it was cheap (more on that in a future post…).

The fit wasn’t ideal, it feels far too big around the bodice despite being pulled pretty darned tight. However I cut a straight six so figured I could make alterations on the actual version.

Would you make it again?

This was a wearable toile for a version I wanted to wear to a wedding so in theory yes.

But….

….to be continued….

Shh! Secret cats!

~ Rhiannon ~ 1 Comment

IMG_9216This may look like a polka dot dress, but it harbours a secret. A rather feline secret.

And why’s that?

Because some of the polka dots are secretly cats!

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What is it?

A sweetheart neck, princess seam bodice with a gathered skirt

Is it blue?

I think it definitely counts as on the spectrum. Plus a couple of the polka dots (and secret cats) are blue too

What’s the fabric and where’s it from?

The fabric is a lovely cotton called Happy Pop that I bought when we were in Japan last year.

What’s the pattern?

The By Hand London Kim dress

What was good about making this?

Aside from the secret cats? I made a couple of alterations to this after having made the underground dress, and it’s all the better for it. I could probably still take another centimetre off the straps, but otherwise it’s fitting and looking much better.

I also found the fabric was wonderfully easy to pattern match as the different cats made it easy to know where to lay out the pieces.

Honourable mention should go to the insertion of the invisible zip in this dress, which I expected to be a nightmare but which was near perfect (to my standards!) as you can see above.

What was bad about making this?

Pretty much nothing. It worked really well, I think I just want to take that one additional centimetre off…

Would you make it again?

Quite probably, I love the sit of the neckline on this dress and I have some lovely cotton I bought on ebay that is waiting for something like this….

x

Space dress! Again!

~ Rhiannon ~ 1 Comment

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It’s one of life’s great questions: why have one space dress when you can have two?

As a result of internet ordering and some rather economically cutting when I made the first space dress (thank you a pattern that didn’t need matching!) I had quite a bit more fabric left than I expected. Enough, in fact, to make another Mortmain. It would have been rude not to!

What is it?

A shift dress with a pleated skirt. I altered the neckline to make it a sweetheart neckline rather than the standard round neck.

Is it blue?

As blue as space.

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Playing Sound of Music in our local park…

What’s the fabric and where’s it from?

The constellation fabric from Fabworks Mill, as before.

What’s the pattern?

It started out as the trusty Mortmain by Gather Patterns, before I cut and altered the neck to give it a sweetheart.

What was good about making this?

It was good fun to try my hand at some (very light) pattern drafting by altering the neckline. I also discovered a total cheat’s approach for finishing the neckline when you can’t / don’t want to deal with altering a facing piece. I simply overlocked it at 5/8″, turned the overlocked edge to the inside and stitched in place. Piece of cake.

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What was bad about making this?

The nervousness about whether the alteration would work was the main one. That and the fabric creases a bit more than I’d like, so pressing the pleats in place was a bit of a pain.

Would you make it again?

Probably not with the sweetheart (although maybe I will) but I will probably make the Mortmain again, not only because it’s my go to cotton dress, but also because there’s some super special fabric in my stash that, although now used, at this point in time was waiting to be sewn…

x

Going underground…

~ Rhiannon ~ 1 Comment

Remember I mentioned that time I went fabric shopping with something of a hangover? Well floral fabric wasn’t the only thing my poor tired brain latched on to. It also found this:

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What’s this? Why only the most inaccurate tube map you’ll ever see. Don’t believe me? Take a closer look at it and then compare it to this which is the actual tube map.

So wrong.

And yet…. so right. I knew I had to have it. So I did, and this was the result.

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What is it?

A princess seamed bodice with a sweetheart neckline and gathered skirt.

Is it blue?

One of the lines is blue…

What’s the fabric and where’s it from?

Underground print cotton polycotton from a stall in the rag market. I’ve seen it elsewhere online.

What’s the pattern?

The Kim dress by By Hand London

What was good about making this?

I’d wanted to toile the Kim dress and this seemed like a good fabric to do it with. The instructions were really clear and it came together pretty quickly. I liked the construction of the bodice too.

I wore it for the first (and only, see below…) time on a London work day and had the miracle of not one but two complete strangers engaging me in nice conversations. Which made my day better too.

What was bad about making this?

The straps were way too long, but I didn’t find this out until I’d finished it. To get the neckline to sit in the right place (rather than half way down my bra…) I had to take at least 2 inches out of each side (maybe more). Which then meant that the waistline sits a bit too high. So although it fits it’s not as flattering as it could be. So it doesn’t get worn as much as it should.

I might get round to slashing it open and putting in a waist panel in to lengthen the bodice back out, or I might remake it using another £6 worth of fabric, or I might slash it and turn it into a skirt instead, but until then, every time I go to put it on I look at myself in the mirror and take it off again.

Would you make it again?

Yes as this was always meant to be a toile, although next time I’ll lose some length on the straps and add some length on the bodice to balance it out

x

Strawberry shortcake

~ Rhiannon ~ 4 Comments

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Way back when I went to Walthamstow for the first time, I picked up some fabric and, despite the cold, rainy October day, I just knew that it was destined to be a summer dress.

Then, at Christmas time (ish), the pattern with Simply Sewing magazine was the Charlie dress by By Hand London and I was smitten.

Rush forwards to May and the time for making summer dresses felt very near at hand, so armed with the PDF pieces I hit the stash and sewed it up in two shakes of a rabbit’s tail.

I love this dress and have worn it loads, including two summer breaks (ok, one summer break to Lille and Glastonbury Festival where it was muddy. Really muddy. And then it rained and got muddier).

And as for the strawberries? Well, why wouldn’t you match your breakfast to your dress when you can?!

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What is it?

A bandeau-style princess seamed dress with shoulder straps, fold over neckline and self drafted gathered skirt.

Is it blue?

No

What’s the fabric and where’s it from?

Teeny tiny sort of see through strawberries that I got from a shop in Walthamstow

What’s the pattern?

The bodice is the Charlie dress by By Hand London. I used the version that came with Simply Sewing magazine but they’ve since released a version that anyone can buy (and which the link points to).

What was good about making this?

I got to do a couple of firsts with this, not least first time making a top with princess seams. I really like the fit the bodice has as a result of the princess seams, it feels really feminine and flattering and I’ll look out for more patterns with it.

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(can we just take a moment to appreciate Kat’s cat leggings?)

What was bad about making this?

I had a bit of a scary moment where I thought I wouldn’t be able to do it up, but that turned out to just be one strawberry too many!

Would you make it again?

I would. I’d shorten the shoulder straps by about an inch as they fall down when I’m not paying attention, but that’s about it. I’d like to try it with a circle skirt, which is what the original pattern came with. Other than that though, it’s a winner for me, and might just be the perfect summer dress (maybe).
x

The £1.50 Moneta

~ Rhiannon ~ Leave a comment

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There are a couple of different things you can take from my expression here; the fact that I managed to get a(nother) Moneta out of a metre of fabric, amazement at how swooshy it is, delight with the mix of colours. I think the main thing though is the appreciation that despite having what can only be described as a horrendous hangover (may have had a sherbet too many…) I managed to not only navigate the rag market but I scored this fab jersey for the princely sum of £1.50.

What is it?

A(nother) Moneta with a Peter Pan collar and slightly longer than usual skirt.

Is it blue?

Some of the flowers are. But some of them are copper coloured. And some of it is white. Let’s go with multicoloured?

What’s the fabric and where’s it from?

A ponte roma that I got from a stall in the outside section of the rag market. I nearly fell over when they told me the price.

What’s the pattern?

That old favourite I know so well

What was good about making this?

Pattern placement for the collar was really satisfying, and there’s something very smugness inducing about getting a dress out of a metre of fabric.

What was bad about making this?

I don’t know why but for some reason my sewing machine and overlocker weren’t enamoured with this fabric and both had weird puckering. It wasn’t too much of a hardship but it was a bit annoying.

Would you make it again?

Space dress!

~ Rhiannon ~ 2 Comments

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When I made the floral Anna dress, it was a toile for some rather special fabric; this fabric. Space fabric.

Everyone loves space, because it’s amazing, and this dress makes it even more amazing.

What is it?

A fricking SPACE DRESS

Is it blue?

Not just any blue, space blue

What’s the fabric and where is it from?

The fabric is a lightweight cotton that I got from Fabworks Mill (although it’s sadly now out of stock). I was pretty excited to get the fabric, but that got even more exciting when I discovered from Elle that the fabric was originally from Paul Smith! And then I googled how much a Paul Smith shirt cost, which was pretty terrifying. Fabric find of the year!

What’s the pattern?

The By Hand London Anna dress in the midi length version

What was good about making this?

Getting to sew with space fabric. Also, making something for a special occasion always makes it seem more exciting.

What was bad about making this?

As before, the sheer volume of seams that need overlocking with a six panel skirt is just boring.

Would you make it again?

Honestly? Probably not. I might consider making the maxi length dress, but after a couple of wears of this and the other Anna dress, I’m not sure if I like the bodice fit enough to make it again. I do still like it lots though!

x

Aztec geometric print dress

~ Rhiannon ~ 2 Comments

IMG_5852It’s no secret that I have a love affair with a particular jersey dress pattern and this is the next in a long and continuing line of dress.

What is it?

A sleeveless jersey shift dress with a gathered skirt

Is it blue?

Yes, in a teal / turquoise kind of way

What’s the fabric and where is it from?

The fabric is a fabulous ponte that originally came from Girl Charlee fabrics, although I was gifted it by the lovely Caroline at SewBrum

What’s the pattern?

Colette’s Moneta dress, this time the sleeveless version. I also altered the skirt as the pattern pieces wouldn’t fit on the fabric I had.

What was good about making this?

I got the dress out of a metre of fabric! A bit of clever folding and the aforementioned skirt adaption fixed meant I could stretch fabric as I’d never stretched it before (but not literally!). It also has a really bold print which meant pattern matching was a piece of cake.

What was bad about making this?

I don’t really like the gathering method used in the pattern instructions, so thought I’d try something different. Which didn’t then work. So I had to use the usually method after all. On the plus side thought, following a conversation with Elle at Laura Loves Pugs I discovered that if you make more markings on the elastic than required it’s about 60 times easier and makes for far neater gathers. Hurrah!

Would you make it again?

Just try and stop me!

x

Floral 1940s style Anna dress

~ Rhiannon ~ 1 Comment

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Sometimes you hear a lot about a pattern so you decide to give it a go. And then part way through sewing, when it looks like this, someone really helpful (or not….) says it looks like you’re making a costume out of Dinnerladies.

Great.

BUT THEN you finish it off, and you have something delightful and wonderful and you realise that was all wrong

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What is it?

A boat neck, kimono sleeve, mid-length dress

Is it blue?

The bias binding is!

What’s the fabric and where is it from?

The fabric is a soft cotton (lawn maybe?) that I got as part of the fabric swap at SewBrum

What’s the pattern?

By Hand London’s Anna dress in the midi length. There’s a lot of love for this pattern out there, so I thought I’d give it a go.

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What was good about making this?

It was really quick to come together and also had a couple of firsts for me; first time I’ve made a seven panel (seven gore?) skirt and the first time I’ve used bias binding for a decorative finish. The finish of the skirt to the bodice is really neat, with the panels all lining up against bodice features in a very aesthetically pleasing way.

What was bad about making this?

Oh my days. With seven panels joined together, that’s 12 raw seams. That’s an awful lot of overlocking. I got into a bit of a rhythm with it, but my word I was pleased when I got to the last one.

Would you make it again?

Yes; this was my wearable toile for a special dress I have in mind to wear to celebrate the boy’s 30th birthday.

x