I’m not sure what it is about lemons, but for a really, really, long time I’ve been after a dress covered in lemons. Specifically, non-cartoon style lemons on a black background. Last summer a friend had a pair of trousers in exactly the right print from H&M, and although I did rummage the racks, they hadn’t thought to make it into a dress (fools!).
Then, towards the end of June, I discovered that Meg had managed to source the perfect fabric that I was after and was selling it on her Etsy shop. Fast as a flash the fabric was ordered, and almost as speedily Meg got it out to me. I had a pile of possible makes as long as my arm but it was no good; as soon as it arrived I had it washed and, the next free day I had, I began to make the dress, because when life hands you lemons, the obvious thing to do is make lemonade. Continue reading →
It was that weird hinterland between Christmas and New Year and we were dashing from a (slightly) boozy lunch with friends to a (slightly more) boozy dinner with the boy’s family.
Nonetheless, my Christmas money was burning a hole in my pocket, so I found myself going into Guthrie and Ghani. Don’t look like that, it’s just next to the pub where we had lunch and they had a sale on, so it was definitely justified.
Whilst looking through all of the beautiful fabrics I stumbled across something glorious: fabric covered in replicas of those fabulous vintage travel posters that make me long for the golden age of travel (let’s ignore the fact that, given the ease of global travel, that might actually be now….).
I knew immediately that this would be my travelling dress. I also knew that it wouldn’t be worn until the next time I went on a proper adventure.
As luck would have it, that proper adventure was just around the corner.
It’s April, we’ve had three whole months of the year already. Seems like a good time to me to take a look at how this whole #2017makenine and #2017usenine thing has been going!
It’s probably no surprise that I’m a bit of a fan of dinosaurs (hi there multiple jumpers, multiple necklaces, and an attraction to line drawings featuring dinosaurs). For quite a while I’ve had a dream of making a dinosaur dress, but finding fabric that wasn’t obviously children’s fabric was pretty difficult. I like the Lizzy House fabric from a few years ago that a couple of people have used before (with a special shout out to Elle’s fabulous skirt) but I wanted something that was closer to the natural history style drawings in my dinosaur magazine when I was a kid, the thing that was my main introduction to all things dino.
One day, for no reason other than I wanted a five minute procrastination break, I found myself trawling “dinosaur fabric” on etsy. And there it was. The most perfect, naturalistic styled drawings of dinosaurs, all over a 3 yard chunk of fabric.
Needless to say, I bought it as soon as I could, and squealed with delight when it arrived, throwing it straight into the wash. But then it just sat there. A bit like the Nani Iro fabric, I was too darned scared to cut into it.
Roll around September, and this year’s Sew Brum. I knew I wanted a new dress for the day and I knew I wanted it to be something exciting and special. And just like Jurassic Park, it was time to bring dinosaurs back into existence (although with hopefully fewer negative repercussions and people getting eaten by out of control raptors).
What is it?
A mother bleeping dinosaur dress!
Is it blue?
No, but, frankly, in this case, I don’t care
What’s the fabric and where is it from?
DINOSAUR FABRIC! I found it on Etsy back in April, although the seller at the time doesn’t have any left. It’s 1980s cotton, and if you want to try finding it for yourself, the selvedge says “Hollytex” on it. Not that I’m excited, obviously…
What’s the pattern?
The Mortmain, because I wanted something that I knew I could make without worrying and that wouldn’t disrupt the pattern on the front too much. I put a gathered skirt on it this time, and it’s about time too that this happened, it makes it even swooshier than the box pleats on the standard pattern.
What was good about making this?
Getting to work with dinosaur fabric. Once the dinosaur love is out of the way, I’m really pleased with the pattern matching on this one. The side seams are neat as a button, whilst on the back seam I managed to get the T-rex’s tail to match on either side of zip. Plus, at the waistband, I managed to get the pattern to line across the bodice and the waistband across all three bodice pieces. This felt like a real step forwards in the pattern matching stakes.
I finished the neckline and armholes with satin bias binding, and although I’m still not entirely certain it’s the best finishing method, I’ve definitely got neater (tip: slower is better as far as this is concerned!)
Oh, AND pretending to be various dinosaurs whilst the boy was taking my photo (not seen here: diplodocus. That one is DIFFICULT)
Stegasaurus
Triceratops
T-rex
What was bad about making this?
I’m not completely convinced about the zip, but that’s more to do with the actual zip being a bit cheap and being two inches too short as I wanted to get it made and ready for this year’s Sew Brum and I only had one day on which to buy a zip. Whether I can be bothered to go about replacing the zip is a different matter…
Would you make it again?
As far as the Mortmain is concerned, never say never!
x
It’s one of life’s great questions: why have one space dress when you can have two?
As a result of internet ordering and some rather economically cutting when I made the first space dress (thank you a pattern that didn’t need matching!) I had quite a bit more fabric left than I expected. Enough, in fact, to make another Mortmain. It would have been rude not to!
What is it?
A shift dress with a pleated skirt. I altered the neckline to make it a sweetheart neckline rather than the standard round neck.
Is it blue?
As blue as space.
Playing Sound of Music in our local park…
What’s the fabric and where’s it from?
The constellation fabric from Fabworks Mill, as before.
What’s the pattern?
It started out as the trusty Mortmain by Gather Patterns, before I cut and altered the neck to give it a sweetheart.
What was good about making this?
It was good fun to try my hand at some (very light) pattern drafting by altering the neckline. I also discovered a total cheat’s approach for finishing the neckline when you can’t / don’t want to deal with altering a facing piece. I simply overlocked it at 5/8″, turned the overlocked edge to the inside and stitched in place. Piece of cake.
What was bad about making this?
The nervousness about whether the alteration would work was the main one. That and the fabric creases a bit more than I’d like, so pressing the pleats in place was a bit of a pain.
Would you make it again?
Probably not with the sweetheart (although maybe I will) but I will probably make the Mortmain again, not only because it’s my go to cotton dress, but also because there’s some super special fabric in my stash that, although now used, at this point in time was waiting to be sewn…
Much like when I made the floral version, this dress is so straightforward and comes together so swiftly. The detailing on the exposed zip is great and the fit is pretty much perfect for me.
What was bad about making this?
I really don’t like the facing. It was a bit of a pain on the floral one, but this time it’s even worse. In between making this and writing it up I’ve been experimenting with both bias binding for finishing and with teeny rolled hems on necklines, so would consider either of those two in the future.
Would you make it again?
Yes. I’ve got a gorgeous piece of Nani Iro fabric I bought in Japan last year that I’ve been saving and this dress is just the right amount of material combined with a pretty perfect fit. Added to that having a wedding in a few months’ time, it would be a shame not to make it again. I’ll definitely change the facing though as I couldn’t bear to have ugly facings with a fabric this beautiful!
I love this dress, and not just because I get to spin around whilst wearing it…
I initially bought this fabric about a year ago to make a Lilou dress, but it ended up sitting in my stash box, unused and a bit unloved. Then I wanted to make a wearable toile and it seemed a good fabric fit; I wasn’t wrong!
What is it?
A sleeveless shift dress with a pleated skirt
Is it blue?
No
What’s the fabric and where is it from?
A floral midweight cotton. I think I got it in the Fancy Silk Store, but I’ve seen it in a couple of places and multiple colourways.
I couldn’t get over how quickly this came together, nor how neatly the seams all looked. Not having to make a lining for a dress was a bit of a revelation!
What was bad about making this?
I misjudged the ease so had to lose two inches off the bodice once I’d made it (i.e. drop it a dress size with some seam pinching). Although, from another angle, that just means there’s two inches less of me than I thought!
I’m not sure what it is about lemons, but for a really, really, long time I’ve been after a dress covered in lemons. Specifically, non-cartoon style lemons on a black background. Last summer a friend had a pair of trousers in exactly the right print from H&M, and although I did rummage the racks, they hadn’t thought to make it into a dress (fools!).
Needless to say, I bought it as soon as I could, and squealed with delight when it arrived, throwing it straight into the wash. But then it just sat there. A bit like the 
Is it blue?
Not that I’m excited, obviously…
